Japanese Sensibility in Photographic Practice
Module II: From WABI-SABI to MONO-NO-AWARE
with George Nobechi
Wednesdays from August 2nd to 23rd, 2023
and Mondays from July 31st to August 21st, 2023
4:30 PDT / 6:30PM CDT / 7:30PM EDT (Asia: Thursdays at 8:30AM JST)
DETAILS
4 x 120min lessons live on Zoom
Limited to 8 students
For Intermediate to Advanced Photographers
While Module I is recommended, it is not a prerequisite for Module II
Those who take Module I will receive a $100 off coupon for Module II
OVERVIEW
Back due to popular demand and reimagined, explore these oft-misunderstood, oft-misused Japanese concepts with George Nobechi and find a deeper understanding of your potential as an artist, of the world around you and discover meaning beyond the literal in your photographs. These concepts can potentially be seen and photographed anywhere, and you do not need to be in Japan or be in a Japanese garden to identify them.
Each weekly session will consist of a 50-minute lesson and a 60-minute feedback session, with a 10-minute break in between.
Students will be given three weekly assignments to help them practice the techniques taught in class.
At the conclusion of the class, students should expect to have a basic understanding of these four essential Japanese artistic and emotional sensibilities and begin to incorporate them into their work. Mastery of these concepts takes many years and thousands of hours of practice; students should be both realistic about their goals, but also happy to reach an understanding of these concepts that can help them in their own artistic practice going forward. George Nobechi himself is on this path and claims no mastery over these subjects.
SCHEDULE
There are two streams for this class - Monday nights and Wednesday nights. Please select your preference from the payment page. All participants will have video access to both streams and will be invited to join a private group on our social media platform Ibasho for sharing images and giving each other feedback and encouragement.
Monday July 31 & Wednesday August 2nd
Lesson I Part I: Participant introductions and group discussion of recent work (please prepare 3 recently photographed images).
Lesson I Part II: Introduction to the four lesson concepts: Natsukashisa, Setsunasa, Mono-no-Awa-re, Wabi-Sabi using examples. A deep dive on Natsukashisa. Homework assignment I will be discussed.
Monday August 7th and Wednesday August 9th
Lesson II Part I: Looking at homework assignments from week one and having a group discussion (safe space forum).
Lesson II Part II: A deep dive on Setsunasa. Homework assignment II will be discussed.
Monday August 14th & Wednesday august 16th
Lesson III Part I: Looking at homework assignments from week two and having a group discussion (safe space forum).
Lesson III Part II: A deep dive on Mono-no-Awa-re. Homework assignment III will be discussed.
Monday, August 21st & August Wednesday 23rd
Lesson IV Part I: Looking at homework assignments from week three and having a group discussion (safe space forum).
Lesson IV Part II: A deep dive on Wabi-Sabi. Final wrap-up.
Lesson Concepts
Natsukashii - “not quite nostalgic”
Setsunai - “not quite bittersweet”
Mono-no-Awa-re - “the pathos of things”
Wabi-Sabi - “wabi - lamentable decline, sabi - beauty from aging and the feeling derived from it”
THIS workshop is now COMPLETE. TO BE Alerted when GEORGE TEACHES AGAIN, please fill out the form below.
Meet Your Teacher
George Nobechi
George Nobechi is a Japanese/Canadian photographer born in Tokyo, Japan, who graduated from the University of British Columbia with an Honours B.A. in History with International Relations. He is the Creative Director for Nobechi Creative and for the Karuizawa Foto Fest (kff).
Prior to finding his calling in photography in 2014 through the mentorship of Sam Abell, Kate Breakey, Brett Erickson, Arthur Meyerson and others, he was an equity trader and manager for several major financial institutions. He is best known for his quiet depictions of landscapes and the people who live in them, as seen from his perspective of being simultaneously an insider and outsider in Japan and in the West. His work has been exhibited in solo shows in Italy, Germany, New York, Johnson City, Lincoln, Hastings, Detroit, Buenos Aires and Tokyo.